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Theory

WEEK2

This week we focused on short narratives and non-dialogue animation.

First, we learned about different forms of short narratives. A short narrative is usually concise and focuses on one main event, emotion, or theme Short narratives. It often has a clear structure with beginning, middle and end, but everything is compressed. We also discussed micro-narratives, which are even shorter and focus on a single moment or feeling. They are common in digital platforms and rely on emotional impact rather than complex plot Short narratives. This made me think about how to tell a story in a very simple and direct way.

We also studied non-dialogue animation. Non-dialogue animation tells stories through body language, facial expression, music and sound effects instead of spoken words Short narratives. This kind of animation has universal appeal because it can be understood without language. We looked at examples and discussed how visual storytelling can express emotion clearly. I realised that character performance is very important, especially when there is no dialogue.

In addition, we connected this learning to our FMP thesis thinking. We reviewed again how to structure a thesis and research proposal, including introduction, literature review, methodology and themed chapters Thesis structure and notes_mast… Thesis proposal structure We need to think about audience, purpose and research questions clearly Thesis Proposal Approaches . For next week, we were asked to start a blog section about our FMP thesis proposal and answer some questions about our future direction Task for next week.

Overall, this week helped me understand how to build strong visual storytelling in short form, and also how to start connecting creative ideas with academic research.

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